Prince Fortinbras in Hamlet

There is no more(prenominal)(prenominal) difficult or noble profession than the booster cable of soldiers. For a leader of others to be effective, then they have to nonplus a careful equipoise mingled with universeness determinant and broody. Leaning too farthermost either way brings tragedy to that leader. William Shakespeare illustrated the need for balance between these traits in his three p places, henry IV Part 1, atomic number 1 V, and Hamlet; the first both are histories and the last a tragedy. The plays differ dramatically in that Prince Hamlet, a tragic hero, has his actions prescribe by his tragic flaw. Prince Harry, the relay station of the other two plays, is a semi-historical figure and is thus not driven by a tragic flaw. In heat content IV, Shakespeare juxtaposes Prince Harry and Hotspur to the come on the merits of being balanced everywhere being rash. In Hamlet, Shakespeare juxtaposes Prince Hamlet and Prince Fortinbras to show the merits of being balanced over procrastination.\nPrince Harry starts henry IV all but disowned in the eyes of his father, King enthalpy IV. Harry has taken to disbursal much of his time with a band of thieves and drunkards, avoiding his duties as prince. His briefly to be nemesis, Hotspur, however, starts the play in extremely high standing. Henry IV is actually envious of Earl Northumberland, Hotspurs father, saying: O, that it could be prove that some night lighthearted fairy had exchanged / In cradle clothes our children where they lay/And called exploit Percy and his Plantagenet! / Then I would have his Harry, and he mine  (1.1.85-89).\nShakespeare first paints Prince Harry as someone who is cunning and contemplative by showing us that Harry brought upon his own pity in order to capitalize on it later. Harry says: My reformation, glittring over my fault / Shall show more goodly and attract more eyes / Than that which hath no coddle to set it off. / Ill so fall apart to make offence a skill, Redeeming time when manpower think least I will  (1.3.190-195). Harry tells the auditory modality tha...